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Simon Goldhill

Director CRASSH — the centre runs events and research projects related to health care.

Publications from Elements

Books

2020

  • Goldhill, S., 2020. Preposterous Poetics: the Politics and Aesthetics of Form in Late Antiquity

    • 2016

  • Goldhill, S., 2016. A Very Queer Family Indeed Sex, Religion, and the Bensons in Victorian Britain

    • 2014

  • Vout, C., 2014. Rethinking Revolutions Through Ancient Greece
  • Goldhill, S., 2014. The Buried Life of Things How Objects Made History in Nineteenth-Century Britain
    Doi: http://doi.org/10.1017/CBO9781316103821
    •

    2012

  • Goldhill, SD., 2012. Proclamation of Modernity Sophocles and the Language of Tragedy
  • Goldhill, S., 2012. Sophocles and the Language of Tragedy

    • 2011

  • Goldhill, S., 2011. The Temple of Jerusalem
  • Goldhill, SD., 2011. Victorian Culture and Classical Antiquity: Art, Opera, Fiction and the Proclamation of Modernity
  • Goldhill, SD., 2011. Freud's Couch, Scott's Buttocks, Bronte's Grave

    • 2009

  • Goldhill, S., 2009. Jerusalem
  • Goldhill, S. and Hall, E., 2009. Sophocles and the Greek tragic tradition

    • 2008

  • Goldhill, S., 2008. The end of dialogue in antiquity

    • 2007

  • Goldhill, S., 2007. How to stage Greek tragedy today
  • Kraus, C., 2007. Visualizing the Tragic Drama, Myth, and Ritual in Greek Art and Literature

    • 2005

  • Goldhill, S., 2005. Love, Sex & Tragedy

    • 2004

  • Goldhill, S., 2004. Aeschylus: The Oresteia
  • Goldhill, S., 2004. Language, Sexuality, Narrative

    • 2002

  • Goldhill, S., 2002. The Invention of Prose
  • Goldhill, S., 2002. Who Needs Greek? Contests in the Cultural History of Hellenism

    • 2001

  • Goldhill, S., 2001. Being Greek Under Rome Cultural Identity, the Second Sophistic and the Development of Empire

    • 1991

  • Goldhill, S., 1991. The poet's voice

    • 1986

  • Goldhill, S., 1986. Reading Greek tragedy
    • Book chapters

    2017 (Accepted for publication)

  • Goldhill, SD., 2017 (Accepted for publication). Disentangling Antiquity: Classics and Theology in the nineteenth century

    • 2016

  • Goldhill, SD., 2016. Polytheism and tragedy
  • Goldhill, SD., 2016. Photography and the real : the Biblical gaze and the professional album in the Holy Land

    • 2014

  • Goldhill, SD., 2014. Why don't Jews write biography?

    • 2013

  • Goldhill, SD., 2013. Choreography : the lyric voice of Sophoclean tragedy
  • Goldhill, SD., 2013. The Greek chorus : our German eyes
  • Goldhill, SD., 2013. The Cotswolds in Jerusalem : restoration and empire

    • 2012

  • Goldhill, SD., 2012. The history of the defeated : Rome and rabbinical writing

    • 2010

  • Goldhill, SD., 2010. Cultural history and aesthetics : why Kant is no place to start reception studies
  • Goldhill, SD., 2010. What is Local Identity? The Politics of Cultural Mapping.

    • 2009

  • Goldhill, SD., 2009. The Audience on Stage: Rhetoric, Emotion and Judgement in Sophoclean Theatre
  • Goldhill, SD., 2009. Constructing identity in Philostratus' « Love letters »
  • Goldhill, SD., 2009. Rhetoric and the Second Sophistic
  • Goldhill, SD., 2009. The Anecdote: Exploring the Boundaries between Oral and Literate Performance in the Second Sophistic

    • 2008

  • Goldhill, SD., 2008. Generalising About Tragedy
  • Goldhill, SD., 2008. Wagner's Greeks: the Politics of Hellenism
  • Goldhill, SD., 2008. Genre

    • 2007

  • Goldhill, SD., 2007. What's in a wall ?

    • 2006

  • Goldhill, SD., 2006. Antigone and the politics of sisterhood
  • Goldhill, SD., 2006. Der Ort der Gewalt: Was sehen wir auf der Buhne?
  • Goldhill, SD., 2006. The thrill of misplaced laughter
  • Goldhill, SD., 2006. Religion, Wissenschaftlichkeit und griechische Identität im römischen Kaiserreich
  • Goldhill, SD., 2006. Rethinking religious revolution

    • 2004

  • Goldhill, SD., 2004. Literary history without literature

    • 2003

  • Goldhill, SD., 2003. Tragic emotions : the pettiness of envy and the politics of pitilessness

    • 2002

  • Goldhill, SD., 2002. The erotic experience of looking : cultural conflict and the gaze in empire culture

    • 2001

  • Whitmarsh, TJG., 2001. Greece in the world : exile and identity in the Second Sophistic
  • Goldhill, SD., 2001. The erotic eye : visual stimulation and cultural conflict

    • 2000

  • Goldhill, SD., 2000. Placing theatre in the history of vision
  • Goldhill, SD., 2000. Greek drama and political theory
    Doi: http://doi.org/10.1017/CHOL9780521481366.005
    •

    1997

  • Goldhill, SD., 1997. The audience of Athenian tragedy
    Doi: http://doi.org/10.1017/CCOL0521412455.003
    •
  • Goldhill, SD., 1997. The language of tragedy: rhetoric and communication
    Doi: http://doi.org/10.1017/CCOL0521412455.006
    •
  • Goldhill, SD., 1997. Modern critical approaches to Greek tragedy
    Doi: http://doi.org/10.1017/CCOL0521412455.012
    •
    Journal articles

    2017 (Accepted for publication)

  • Goldhill, SD., 2017 (Accepted for publication). A Mother's Joy at Her Child's Death: Conversion, Cognitive Dissonance, and Grief Victorian Studies, v. 59
    Doi: http://doi.org/10.2979/victorianstudies.59.4.03
    •

    2017

  • Goldhill, SD., 2017. The Limits of the Case Study: Exemplarity and the Reception of Classical Literature New Literary History, v. 48
    Doi: http://doi.org/10.1353/nlh.2017.0023
    •
  • Goldhill, S., 2017. How Interdisciplinary Is God? KNOW: A Journal on the Formation of Knowledge, v. 1
    Doi: 10.1086/691679
    •

    2016

  • GOLDHILL, S., 2016. WHAT HAS ALEXANDRIA TO DO WITH JERUSALEM? WRITING THE HISTORY OF THE JEWS IN THE NINETEENTH CENTURY The Historical Journal, v. 59
    Doi: 10.1017/s0018246x15000047
    •

    2015

  • Goldhill, SD., 2015. Preposterous poetics and the erotics of death Eugesta, v. 5
    •
  • Goldhill, S., 2015. The Imperialism of Historical Arrogance: Where Is the Past in the DSM's Idea of Sexuality? Arch Sex Behav, v. 44
    Doi: http://doi.org/10.1007/s10508-015-0556-7
    •
  • Goldhill, S., 2015. Lived Experience, History, and Narrative Form in the Rabbinical Writings Religion in the Roman Empire, v. 1
    Doi: 10.1628/219944615x14448150487319
    •

    2014

  • Goldhill, S., 2014. The Ends of Tragedy: Schelling, Hegel, and Oedipus PMLA/Publications of the Modern Language Association of America, v. 129
    Doi: 10.1632/pmla.2014.129.4.634
    •
  • Goldhill, S., 2014. Antigone: An Interruption Between Feminism and Christianity International Journal of the Classical Tradition, v. 21
    Doi: 10.1007/s12138-014-0354-y
    •
  • Goldhill, S., 2014. L. I. LEVINE, VISUAL JUDAISM IN LATE ANTIQUITY: HISTORICAL CONTEXTS OF JEWISH ART. New Haven/London: Yale University Press, 2012. Pp. x + 582, 128 illus. <scp>isbn</scp>9780300100891. £50.00. Journal of Roman Studies, v. 104
    Doi: 10.1017/s007543581400046x
    •

    2012 (No publication date)

  • Goldhill, SD., 2012 (No publication date). Der Ort der Gewalt: Was sehen wir aud der Buhne? DieGewadt und Asthetik,
    •
  • Goldhill, SD., 2012 (No publication date). Who Killed Gluck? Opera and the Classics,
    •
  • Goldhill, SD., 2012 (No publication date). Cultural History and Aesthetics: Why Kant is No Place to Start Reception Studies Reception Theory and the Theatre,
    •
  • Goldhill, SD., 2012 (No publication date). Victorian Jerusalem Cities of God,
    •
  • Goldhill, SD., 2012 (No publication date). The Cotswolds in Jerusalem: Ashbee and the art of Empire Building Plunder and Preservation,
    •

    2012

  • Goldhill, SD., 2012. A Writer's Things: Edward Bulwer Lytton and the Archaeological Gaze: or What's in a Skull? Representations,
    •
  • Goldhill, SD., 2012. Forms of Attention: Time and Narrative in Ecphrasis Cambridge Classical Journal, v. 58
    •

    2010

  • Goldhill, S., 2010. British Aestheticism and Ancient Greece: Hellenism, Reception, Gods in Exile, by Stefano Evangelista Victorian Studies, v. 52
    •

    2009

  • Goldhill, S., 2009. See Josephus: Viewing First-Century Sexual Drama with Victorian Eyes Victorian Studies, v. 51
    •
  • Goldhill, SD., 2009. Undoing in Sophoclean Drama: Lusis and the Analysis of Irony Transactions of the American Philological Association, v. 139
    Doi: http://doi.org/10.1353/apa.0.0021
    •

    2008

  • Goldhill, SD., 2008. The Art of Reception: J.W. Waterhouse and the Painting of Desire in Victorian Britain

    • 2007

  • Goldhill, S., 2007. What Is Ekphrasis For? Classical Philology, v. 102
    Doi: 10.1086/521129
    •

    2000

  • Goldhill, S., 2000. Civic ideology and the problem of difference: the politics of Aeschylean tragedy, once again The Journal of Hellenic Studies, v. 120
    Doi: 10.2307/632480
    •
  • Goldhill, SD., 2000. Whose Antiquity? Whose Modernity? The «Rainbow Bridges» of Exile Antike und Abendland,
    Doi: http://doi.org/10.1515/9783110241587.1
    •

    1990

  • GOLDHILL, SD., 1990. PUBLIC AND PERFORMANCE IN GREEK THEATER - ARNOTT,PD THEATRE RES INT, v. 15
    •
  • GOLDHILL, SD., 1990. IMAGES OF AUTHORITY, PAPERS PRESENTED TO REYNOLDS,JOYCE ON THE OCCASION OF HER 70TH BIRTHDAY - MACKENZIE,MM, ROUECHE,C CLASSICAL REV, v. 40
    •

    1989

  • GOLDHILL, SD., 1989. PLACEWAYS, A THEORY OF THE HUMAN ENVIRONMENT - WALTER,EV CLASSICAL REV, v. 39
    •
  • Goldhill, SD., 1989. The Sense of <i>ekpátios</i> at Aeschylus <i>Agamemnon</i> 49 Eranos: Acta Philologica Suecana, v. 87
    •

    1988

  • GOLDHILL, SD., 1988. TRAGIC AMBIGUITY, ANTHROPOLOGY, PHILOSOPHY, AND SOPHOCLES 'ANTIGONE' - OUDEMANS,TCW, LARDINOIS,APMH CLASSICAL REV, v. 38
    •
  • GOLDHILL, SD., 1988. DEINA-TA-POLLA, A CLASSICISTS CHECKLIST OF 20 LITERARY-CRITICAL POSITIONS - ROSENMEYER,TG CLASSICAL REV, v. 38
    •
    Other publications

    2012 (No publication date)

  • Goldhill, SD., 2012 (No publication date). Dying for Josephus Ramus 36: Special Edition,
    •

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